GiA

An ongoing laboratory that asks,


What happens when performance is not a demonstration,
but an  u n fol d i ng condition?



Performance is understood as an event composed through:
attention,
                               r e l a t i o n,
d u      r  a     tion.


A tussle between

bodies,

objects

and

space.




It does not need to begin
when an audience arrives
or
ends when an action stops.


Rehearsed
but
responsive


structured
but
unstable.

Bodies

are treated as sensing and thinking agents.

                                             Attention

                                                                is practiced through
                                                                looking, listening                       and                       staying.

Space

is reorganized through
sensation, feeling, emotions
the logical, the illogical, the imagined.


Objects, balloons, carpets,
chairs, found objects

are treated as collaborators
that shape movement and perception.

                           

                    Memory

                            enters as material
                            through repetition, archives, gestures
                                                                                                       remembered by the body,
the body loops what it remembers all too well.



Images

studying the world around us
while observing the body and its shapes.

Meaning

is not illustrated. . . it accumulates through action.



Formed collectively and individually.



Outcomes

may appear as
performances,
poetry,
ideas, conversations,
or unfinished propositions. 


We turn around, go elsewhere
and arrive back at ourselves.